John Reese (
primary_asset) wrote2018-07-07 11:28 am
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In the end, they'd settled on Karen's apartment rather than John's.
He'd pointed out that she has a better view, being two floors higher, and he'd liked how the light had come into the living room better on her side of the building. They're not things one might expect of John Reese -- or even John Riley -- but when it had come to deciding which apartment to live in, he'd done his best to set aside his CIA training or anything that told him one would be better than the other based on tactical advantages.
That's not what he wants his life with Karen to be about.
They're still spies, of course, in their way. They still work together on the sorts of cases the police department can't or won't take. He trusts her with his life on that end and he's glad to have her, to know they have that kind of transparency between them. But he still wants this to be their home together. Something separate from the jobs they both do.
So he's moving boxes out of his place, to the elevator, and then into hers. It's not a difficult move, he doesn't have many belongings and they don't need his furniture, but he's had to decline help from two neighbours now, telling them he's just about done, when in reality he just doesn't want them touching his boxes of weapons. Or spy equipment.
All the boxes are labelled books. Only one of them contains books of any kind.
He'd pointed out that she has a better view, being two floors higher, and he'd liked how the light had come into the living room better on her side of the building. They're not things one might expect of John Reese -- or even John Riley -- but when it had come to deciding which apartment to live in, he'd done his best to set aside his CIA training or anything that told him one would be better than the other based on tactical advantages.
That's not what he wants his life with Karen to be about.
They're still spies, of course, in their way. They still work together on the sorts of cases the police department can't or won't take. He trusts her with his life on that end and he's glad to have her, to know they have that kind of transparency between them. But he still wants this to be their home together. Something separate from the jobs they both do.
So he's moving boxes out of his place, to the elevator, and then into hers. It's not a difficult move, he doesn't have many belongings and they don't need his furniture, but he's had to decline help from two neighbours now, telling them he's just about done, when in reality he just doesn't want them touching his boxes of weapons. Or spy equipment.
All the boxes are labelled books. Only one of them contains books of any kind.
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"I'd like to give her something she'll enjoy," he says. "But I've never been much of one for parties."
If John had his way, every birthday and date worth celebrating would drift by with little more than a nice drink and a quiet evening without any interruptions.
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"I'm not really much for parties either. At least not throwing them. I mean, you know me, my idea of fun is usually just... cheap booze and a game of pool."
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Peggy probably doesn't care who plans the party, just as long as there are no ostentatious sex toys present, like the box this Tony had sent to her. Karen would never do that to her and John certainly has no interest in buying anything like that either. Certainly not for a party anyway.
The elevator doors slide open on his floor -- soon to no longer be his floor -- and John heads for his apartment for the last little bit. "I was thinking we would do something like that. Something relaxed."
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"But relaxed is good. It'll be, what, you, me, Peggy, Dutch... I think we're all relaxed party people."
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This place had only ever been somewhere to store weapons. It's Karen's apartment that feels like a home.
"We'll do relaxed," he says, piling boxes onto a dolly. The last few. "I think you might be the only person with whom I can do relaxed."
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"Then we'll definitely do relaxed. That's all the more reason, I think."
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He hasn't had things in a very long time. Nothing besides his weapons.
"She was very adamant that's not something she's interested in," he says, laughing as he finally takes the dolly and begins to wheel it toward the apartment door. "And I'm not sure who Tony is, but he's invited to the party, despite his unusual gift choices."
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For one split second, she lets herself consider that, if she ever gets married, she'll have to tell him in advance not to go to any trouble like that for her. Then she puts the thought away, focusing on what's in front of them instead.
"This is going to be one hell of a bachelorette party."
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"This is it, isn't it?" he asks, pausing by the door with the dolly. He shifts, slipping his hand against the small of Karen's back. The apartment was never anything special, it was just a place for him to store his things, but Karen's apartment is going to be different. It's going to be a place he shares with her. Something much more significant.
He feels good about that. He hopes she does, too.
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Looking over at him, she arches a brow, gently teasing. "Home sweet home?"
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This is a new chance. Carter had made that perfectly clear to him in the moments before his arrival. He knows it had been a hallucination, that he hadn't really seen her, but he'll still take the lesson she wanted to teach him.
When they part, he smiles fondly at Karen and then nods toward the elevator. "Let's go home."
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No one did, though, so she supposes it doesn't make a difference. They wound up here. It's probably no crazier than anything else that's happened in Darrow, but it feels bizarrely fortunate all the same, lucky in a way she wouldn't have expected a place like this could entail.
"Probably a good sign, right?"