John Reese (
primary_asset) wrote2019-05-10 02:20 pm
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Technically they're working, but on a day as nice as today, John doesn't think he can be blamed for enjoying himself more than he usually does when he's undercover. Nearly everything in his life is far more enjoyable when Karen is there with him, but work is still work, and he would always rather just be spending time with her than working.
Today, though, it's better than it usually is, because it really is just like spending quality time with her. They're in the park, the sun is high, the air is warm, and the man they're keeping under surveillance hasn't actually done anything wrong, which might be a first for John in Darrow. They're here to keep an eye on him because John has heard there are some people, some criminals, who have an idea to go after this man's young son. The rumour is that the attack would be for ransom and John has a strong feeling that's most likely.
The man and his pretty young wife clearly have money, though they're not over the top about it. They're still here, after all, playing in the park with their son, the little boy squealing as he goes down the small, toddler sized slide. He's cute and happy, the family is clearly enjoying their time together, and John hates the idea that anyone might want to hurt them over a bit of money. They're well dressed, the car they drive is expensive without being flashy, and John knows this man has not only earned every cent he has, but puts a significant amount of his income back into the community.
He's a good man who doesn't even know he's a target. This is good work.
Leaning toward Karen, John is about to ask her if she's noticed the green car idling across the street from the park, but just as he does, there's a loud pop from nearby. His hand is on his gun in an instant, but before he draws it, he sees where the sound has come from. A couple not far away are opening champagne, sitting on a blanket with a picnic spread out, the both of them laughing and kissing, even as they try to pour their drinks.
Between them on the blanket is a ring box, a simple diamond set in rose gold resting inside. The sight of it makes him smile, even as his chest tightens.
Today, though, it's better than it usually is, because it really is just like spending quality time with her. They're in the park, the sun is high, the air is warm, and the man they're keeping under surveillance hasn't actually done anything wrong, which might be a first for John in Darrow. They're here to keep an eye on him because John has heard there are some people, some criminals, who have an idea to go after this man's young son. The rumour is that the attack would be for ransom and John has a strong feeling that's most likely.
The man and his pretty young wife clearly have money, though they're not over the top about it. They're still here, after all, playing in the park with their son, the little boy squealing as he goes down the small, toddler sized slide. He's cute and happy, the family is clearly enjoying their time together, and John hates the idea that anyone might want to hurt them over a bit of money. They're well dressed, the car they drive is expensive without being flashy, and John knows this man has not only earned every cent he has, but puts a significant amount of his income back into the community.
He's a good man who doesn't even know he's a target. This is good work.
Leaning toward Karen, John is about to ask her if she's noticed the green car idling across the street from the park, but just as he does, there's a loud pop from nearby. His hand is on his gun in an instant, but before he draws it, he sees where the sound has come from. A couple not far away are opening champagne, sitting on a blanket with a picnic spread out, the both of them laughing and kissing, even as they try to pour their drinks.
Between them on the blanket is a ring box, a simple diamond set in rose gold resting inside. The sight of it makes him smile, even as his chest tightens.
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Abruptly, that seems like it might be about to change; she's as conscious of the way he moves as she is of the sound, the source of which quickly becomes apparent. She huffs out a quiet laugh, shaking her head. "Well, there are worse things to be interrupted by," she says, half-teasing. There may yet be trouble, but there isn't right now. The couple on the blanket look so happy that she can't help but smile in turn.
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"There are," he agrees with a gentle smile of his own. "Lucky I didn't interrupt them in return."
Even though he's no longer touching his gun, he thinks Karen will understand what he means. By this point, she knows him better than he thinks anyone ever has. She knows his movements and his gestures and the way he'd reached for his gun wouldn't go unnoticed by her.
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Then again, given the lives she and John lead, maybe it wouldn't be too out of place. She doesn't know if that's in the cards for them, if it ever will be, but she wouldn't exactly be imagining herself winding up with anyone else.
"A good story for them later, maybe, but probably not worth it."
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He's quiet for a moment, looking across the park for the green car he'd noticed earlier. It's no longer idling and the driver has gotten out and is leaning against the hood, smoking and watching the park. John is about to draw Karen's attention to it when the driver suddenly waves and breaks into a smile. He tosses away the cigarette, then holds his arms out for the young girl who jogs carefully across the street to meet him. His daughter, clearly. They look alike.
John doesn't expect anyone would go to such an extent just to look casual. Just to spy on a rich man whose son they want to kidnap.
"When you were younger," he starts, wondering if this it out of left field when it's been on his mind for some time. "Were you the sort to plan your future wedding?"
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None of that is a subject worth dwelling on now, though. She cracks a crooked smile. "I'm guessing you weren't either?"
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He's still smiling, but it's gone a touch sad now. John knows he isn't that man any longer and he knows he can't get that back. A part of him still yearns for it, for the normalcy of having a wife and children, a quiet family that is never in any danger. It's not possible, not even here. He's made enemies, he thinks maybe they both have.
"And with Jessica..." He shrugs. "I made plans. I even bought a ring."
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Then as a teenager, she'd just fucked around, and wasn't in a position to think seriously about a relationship until New York. The men she knew there, she'd each loved in a different way, but it was never meant to work out. Matt had his secrets, Foggy had Marci, and Frank was a fugitive. Before John, there was never anyone she could have thought about that way. With him, she would be lying if she said she hadn't considered it on a handful of occasions, but mostly as a hypothetical thing, not wanting to make any assumptions.
If she can't help but wonder now where this might be going, if anywhere at all, well, she hardly thinks she could be blamed for that.
"And then that... went the way it did," she says with a nod, figuring she shouldn't get any more into it than that and risk ruining the mood. "For me, this is the most serious I've ever been, actually."
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"Harold asked me once if I still ever wanted that kind of life," he admits. "We were watching a family we had helped, happy couple, their kids. We were both so far removed from it and I think- well, we had both wanted it once."
John looks at the playing family, the one they're keeping tabs on, and decides he needs to say it. He and Karen have their secrets and even so, they've built a deep, abiding trust. This is one secret he doesn't think he ought to keep any longer. "I did want it. I still do. I thought it wasn't meant for me, but maybe..."
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"I think we've both had pretty good reasons to think it wasn't meant for us," she says with a small, knowing smile. Glancing towards the newly engaged couple not too far away, the two of them still seemingly oblivious to everyone else nearby, she adds, "But I kind of like the idea of it. Having... that."
One corner of her mouth curls up a little higher. "Plenty of people here already think we're married anyway."
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That isn't why he wants to marry her, of course, just because plenty of people in Darrow think it's true of them already. He'd pretended to be married to Kara even more often and he'd never wanted his relationship with her to grow deeper or to become any more permanent. Karen is different. Right from the start, Karen has been different from everyone.
And now he feels like that might continue. This is uncharted territory, a world he'd never imagined he might get to enter, but here they are anyway. At the precipice of change.
"This isn't a proposal," he adds a moment later, still smiling as he lifts his gaze to Karen's once more. "When I do this, it's going to be done properly."
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"No flash mobs, though. I draw the line at dancing strangers."
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Despite the more dangerous lives they lead behind the scenes, he and Karen together have been rather quiet as a couple. He likes it that way and he thinks she does as well. They work together, but they can still keep the work separate from their life and their relationship. They can still keep what they have together quiet and peaceful.
However he still wants to give her something meaningful. Something right for the two of them. And maybe a little selfishly, he wants to give her a beautiful ring she loves and a beautiful memory.
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The thought of that brings something else to mind, and her expression softens a little. "When it does happen, and however it happens... I want it to be entirely as ourselves. No jobs going on, no aliases, aside from, you know, the usual, not even anything like this." She nods towards the family they've been watching. "Just us."
She doesn't think he would do otherwise, but it seems important to say anyway, just to make sure. It's the only thing she would be particular about — well, aside from the lack of a flash mob — for a proposal.
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"Just us," he agrees.
They've told plenty of lies to other people, pretended to be things they're not, and while John has absolutely no issue doing that for work, he doesn't want it to cross over into their lives like that. It'll be just them. He'll make sure of it.
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"I love you," she says. Sometimes it bears repeating. "I'm... glad we both want this."
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"I love you," he echoes in a soft voice, smiling as he presses another kiss to her temple.
A second chance was never meant to be in the cards for him, but he's glad he hadn't been too stupid to take this. Wherever she may be now, Carter never would have forgiven him if he had made a mess of this.
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She's grateful, too, that nothing has happened to the family they're watching, though that's entirely for their sake. If the two of them had been interrupted just now, it would have been for a good reason. They do good work. It's nice to feel like she can actually help in some way.
"Very convenient, really."
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It does make him a little sad to think his friend won't be here to see the rest of this second chance they both had. All he can do is hope Finch is making the most of his somewhere else, finding his own brand of peace instead of burying himself in the Machine and in his work. John can relate to that, it's why he and Finch had worked as well as they did, but if he can find contentment and still do the work, he likes to believe Finch can, too.
"He loved you, too," he says after a moment. "Harold. He knew we could be good for one another, but he knew a lot of things about me before I ever did. We spoke about it once, before Darrow, about wanting a normal life. I know he wanted me to be able to have one."
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Her expression softens after a moment, though, and she nods a little. It means more to her than she would have expected, knowing she would have had Harold's approval. Normally, she wouldn't give a shit about things like that, but with as important as he is to John, it makes him important to her, too.
"He was a good guy," she says, sure that he'll know as well as she does what an understatement that is. "I'm glad I got to know him while I did."
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He doesn't know if it would have been possible, not when the only woman Finch ever would have wanted was Grace and when she believed he was dead, but John, in his strange way, is an optimist. If there's a way for Grave and Finch to have found each other again, he likes to think he would have done anything to help make that happen for them.
"Did he ever tell you about Grace?" he asks.
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Idly, she laces her fingers through his. "Who's Grace?"
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"When Finch was working on creating the Machine, it repeatedly directed him to a woman painting in the park. Grace." He smiles faintly. "I think that might have been Finch's first indication the Machine had become more than what he had anticipated. It was trying to set him up."
The smile fades a little and he squeezes Karen's hand. "But the people who wanted the Machine wanted everyone associated with it dead. There was an explosion on a ferry, it's how he was injured, why he limped, and he used the chance to fake his death. To protect her."
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"No wonder he wanted you to be able to have a normal life," she says thoughtfully, expression a little bittersweet. "Because he gave his up."
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But in Darrow, the story is a different one. He can have something here.
He smiles over at Karen and says, "I like to think he'd be pretty pleased with how things have turned out here. He and Carter both." He barely ever speaks of Carter, still pained over her death, but he knows she would be proud of him.
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"I think we've done pretty alright for ourselves, all things considered."